This is a place I'd been wanting to see with my own eyes for a long time, and I finally made it happen. The light was not the best the firs time, so I went back another time. I made a few images, including one that I love, and got to see the lake with the beautiful Midi d'Ossau in the background.
I've been trying to remember where I made this image, because I want to revisit this tree --if it's still there, of course. But I can't remember exactly where I took it, so I guess I'll just have to keep searching.
It took me 4 days to make these images. Four days going to the same spot, hoping to find the right conditions. Until it finally happened. But as I was taking the photos, a car stopped by, someone stepped out with a camera, took a couple of shots, and left. Just like that, they got the same image it had taken me several days to make.
Anyone can get lucky - I have gotten lucky more times than I can count. Luck plays a very important role in photography, especially in outdoor photography where very few things are under our control.
Photographers must seek that luck, though. We have to put ourselves in situations where luck has no option but to find us. Perseverance will give us a better chance to get lucky.
I spent a few hours at the Bardenas reales, the Spanish badlands. A beautiful, vast, and desolate landscape. This is what I saw, and the images I made there.
Making money with photography isn't easy. It takes a long time and a lot of hard work to even make a few $$$, but it's totally worth it if you love the process. And I do.
Starting today, I want to offer the option to those of you who can afford it to support me even further. I opened a Patreon page where you can choose one of the different tiers. Your contribution will allows me to keep doing this that I love so much.
It's a nice morning. Let's go out and shoot some photos.
I made these two images last week, in my parent's farm.
When I saw the ladder, I knew I had to capture it. The light was just so beautiful! While trying to find new angles for the ladder, I saw the cloud and the power lines crossing in front of it. Of course, I took a photo of that too.
Light can happen at anytime, anywhere. Always look for it.
Today, editing software offers us more tools than we'll ever need. Some of them can be used in ways they might have not been intended too, expanding even more the creative possibilities of today's photography.
Come along with me as I photograph a medieval castle on a very foggy morning.
I love walking, and I love photography. So, of course, a big part of my photography is done during my daily walks.
The camera gear I carry with me has changed quite a bit over the years, as I try to find the balance between flexibility, versatility, convenience, image quality, and low light performance. In this video, I talk about my current gear.
You can find a more exhaustive list of the camera gear I use for photography and video here: my camera gear.
To master something is to:
Photography is rarely under your control, unless you are shooting in a studio. Ask any landscape photographer, street photographer or journalist. No, you are always at the mercy of the elements.
While there's some knowledge and skills involved in photography, knowing how to use a camera or how to print doesn't make you a good photographer.
In fact, technology has made photography much more accesible, exposing what has always been the most important part of this art: seeing.
No, I don't think photography can be mastered.
You can master your camera, or the printing process. But not the art. That is inside you, it's the way you see the world. You can't master yourself.
Take a look at the early work of the "masters" of photography. Yes, their images evolved over time, but their vision was always there. You won't find a point where they "became" a master.
I believe photography is a lifelong journey, there's no finish line. There's no "I've made it" in sight. No 10,000 hours.
No mastering. Just practice.
One of the things I noticed when I switched from 120 medium format film back to digital, was the extra step I had to take with every single one of my photographs. I had to crop them to square. Digital sensors are usually rectangles, 3:2 ratio, so I was capturing more of the scene than I really needed.
At first, I thought that was a waste of my time and of space. After all, after cropping the RAW files to a square, a third of the "negative" was going unused. That could add up quickly, especially if you shoot a lot of images like I do.
Anyway, over time, I started to see how useful that information to the left and the right of what I had seen in the field could be. It allowed me to reframe images where I could have done better, or to discover slightly different compositions from the one I had seen in location.
I liked it so much that I wanted to do the same on the top and bottom of the frame. So every time I was about to take a photo, I'd take a step back to capture a little bit more of the scene.
A couple of weeks ago, I had the pleasure to talk about my book ONE to Euan Ross from his podcast Biblioscapes in Discussion. It was a lot of fun, and you can listen to the conversation here. You won't regret taking some time to go through some of the past episodes with some very talented and interested photographers.
Nature was the reason why I got started in photography. The beautiful landscapes of Oregon awakened my senses, and I felt like I had to create something with what I was seeing, hearing and smelling. For a long time, that was what drove my photography.
Even though I was documenting my everyday life with photographs as well, I never thought of those moments as situations where I could create art. They were just snapshots.
I was wrong. Very, very wrong. Any moment, any situation, no matter where you are, no matter what you are doing, is a good moment to create art. I shot the image above while I was writing this post, from the window in my bedroom.
Not just that, but anything could be worth of your attention. Why limit yourself to a tiny subset of the world, when there are so many interesting things to photograph everywhere?
Sometimes, all it takes is to try it. Before judging a place or an object worthy or unworthy of a photo, just put your camera up to your eye and try it. Walk back a little and show the whole scene, or get close and look for the details. Try to find the beauty in everything.
Going from landscape photographer to everything photographer was one of the most profound changes I made to my photography. It opened a whole new world of imagery for me, but also showed me that I could do photography at anytime, anywhere. I didn't have to wait to go anywhere, I could do right at home.
All photography is practice. The more we practice, the better we get. And because we don't control most of what happens outside, the more we get out, the more chances we have to make great images.
The most important step is also the hardest: don't stop.
Photography is a long-term game - it takes a long time (perhaps a lifetime!) to have a portfolio full of good images.
But it's a game we must play as often as we can. Showing up every day will give us a much better chance to create what we want.
Fog. Again.
It's a blessing... and a curse.
I am a big fan of local, everyday photography. I don’t want to limit myself to photographing just a few days or weeks a year, whenever I have the chance to go to an overcrowded, and over-photographed place. I like that too, of course, but even though it can be very frustrating at times, carving my own path, discovering images that are unique to me, that — that is way more interesting.
I absolutely loved the meaning of this German word.
While it refers to a way of approaching life in general, it's also something I try to apply to my photography: embracing whatever place and situation I might be in as an opportunity to create an image.
Let's all be a bit more lebenskünstler.
Every day, I venture outside with a camera in hand, seeking out new ways to see the familiar. Many times, I get some footage of the scenes I photograph, even though I don’t know what to do with it. So I decided to compile these loosely connected clips, along with the images I make, in regular episodes I’ll call, “Visual diaries”. I know, the name is not very original, but it is what it is. This is the first episode, and I hope you enjoy it.
I owe photography a new way to see the world. I felt an urge to capture and share what I saw, and that’s what drove me for years. Until I published my book. For the first time, there was a sense of completion, almost as if I had accomplish my mission.
Was that it? Was I done with photography?
I wasn’t. All I needed was a break from the summer, and I finally got the perfect morning.
I love road trips, especially photography road trips. Over the years, I got to go on quite a few across all the United States. These are a few tips, tricks, advice and some lessons I've learned over time.
