St Joseph, Michigan, February 2021.
I love capturing objects that feel out of place, like this swing in the middle of nowhere in a snowy landscape.
Swing
in photographs
Above the bridge
in photographs
Aceredo, Galicia, February 2022.
The bridge that wasn't supposed to look that tall.
Watch the vide: Photographing the underwater town of Aceredo.
A view not seen in decades
in photographs
Aceredo, Galicia, February 2022.
As the town of Aceredo resurfaced 30 years later, so did some old and forgotten views.
Reflections of a dead tree
in photographs
Aceredo, Galicia, February 2022.
This tree has been underwater for 30 years. All that time later, and for just a few minutes, the water stood still and I was able to capture this beautiful scene.
Photographing the underwater town of Aceredo
in journal
The small town of Aceredo has been underwater for more than 30 years, but it's resurfaced for a brief time due to a drought. Of course, I had to capture it with my camera.
One stick in the snow
in photographs
Lake Michigan, February 2021.
From my last year's explorations in snowy Michigan.
Peaks of Picos
in photographs
Asturias, February 2020.
The stunning Picos de Europa mountains.
Blizzard in the Badlands
in photographs
South Dakota, April 2018.
I can still feel the cold from that day. What a trip this was.
Yet another beautiful foggy morning walking around town
in journal
Another beautiful foggy morning walking around town, POV edition.
Cruising the skies
in photographs
Galicia, Spain.
I love photographing the storks that live around here. This morning, I captured this one coming back to its nest after an early outing.
There's freedom in constraints
in journal
Most of my work is black and white, square images.
Over the last few years, I've witnessed quite a few stunning and colorful sunrises, and found scenes that would have worked pretty well on a more traditional 3:2 aspect ratio.
And yet, I stick to monochrome and the square format.
Those are not the only restrictions I impose on my photography. Even though a bit fuzzier than the other two, I'm pretty selective with my subject matter and the conditions I like to shoot in.
All of this might sound pretty restrictive but it is, in fact, liberating. After some time doing photography, I know what I'm looking for and what I'm trying to create with my camera.
If I had to capture everything I found in my explorations in the most fitting way, rather than the way I see it, the experience would be overwhelming. By limiting some of my options, I can better find what I'm looking for.
Sleepy windmills
in photographs
La Mancha, Spain, December 2021.
Early on a foggy morning, the windmills struggled to wake up.
Family photo, Madeira
in photographs
Madeira, November 2021.
A "family photo" from the beautiful forest of Fanal, in Madeira.
Old farm
in photographs
Galicia, Spain, February 2022.
An old farm, still in use, on a foggy day.
How to make square images
in journal
The vast majority of my photography is in square format, and it's been this way for a few years now. In this video, I share many of things I've learned over time about the square format, as well as plenty of examples for every compositional technique.
I'm also releasing an e-book with all the information in this video, and much more! Additional compositions and many more examples.
My Patreons get the book for free. You can also purchase a copy of "How to make images in square format".
Nighttime at Delicate Arch
in photographs
Arches National Park, Utah, November 2020.
Let it snow
in photographs
Indiana, February 2021.
Forest light
in photographs
Galicia, Spain, January 2022.
Some beautiful light in the forest.
Windmills in action
in photographs
La Mancha, December 2021.
A couple of long exposures of the only windmill that was in motion. From Don Quixote's Giants in La Mancha.
White dunes
in photographs
White Sands National Monument, Nex Mexico, April 2019.
The magical white dunes of New Mexico, with the San Andres Mountains in the background.